Alfred Hitchcock and Friend
Jackie Chan / Chan Kong-sang / 陳港生
If you ever went into a video store and picked out the horror movie with the most messed-up cover ever, it might have been directed by Stuart Gordon. With a filmography that included Re-Animator, From Beyond, Fortress, and Robot Jox, Gordon was one of the kings of cult films in the ‘80s and ‘90s. He was filled with vision and talent but, tragically, he passed away this week at the age of 72.
Jack Burns, a comedian, writer and actor known for writing on “The Muppet Show” and “Hee Haw,” acting on “The Andy Griffith Show,” and his comedy partnership with George Carlin, has died at the age of 86, his manager Peter Santana confirmed to TheWrap Tuesday.
Terry Jones, co-founder of Monty Python, died Wednesday. Jones died after a long struggle with dementia. He was 77 years old.
Jones was instrumental in creating the wacky, absurdist style of comedy that Monty Python made famous in the 1970s and directed two of the English comedy group’s most successful films, “Monty Python and the Holy Grail” and “Monty Python’s Life of Brian.” In the latter, Jones played Mandy Cohen, mother of the titular Brian, and appeared before a crowd to deliver probably his most famous line in a comically squawky voice, “He’s not the Messiah, he’s a very naughty boy!”
“J. Searle Dawley, the man who considered himself “the first motion picture director”, was born James Searle Dawley on May 13, 1877, in Del Norte, Colorado. He was educated in Denver, and after graduating in 1895, became an actor with Louis Morrison’s stock theatrical company.”
The following IMDb biography is very interesting. I hope you check it out. The author didn’t use any paragraph breaks. So please be patient. I think you will enjoy the information.
Lee was born “Lee Jun Fan” November 27, 1940 in San Francisco, the son of Lee Hoi Chuen, a singer with the Cantonese Opera. Approximately one year later the family returned to Kowloon in Hong Kong and at the age of five, a young Bruce begins appearing in children’s roles in minor films including The Birth of Mankind (1946) and Fu gui fu yun (1948).
His father was Chinese. His mother, Grace Ho, is described as being of mixed Chinese and European (usually stated as German) descent. When Grace was asked by officials if both of her parents were full-bloodied Chinese, she answered: “My father is Chinese and my mother is English.”
Left for Seattle in 1958 with $100. Being an accomplished dancer, he gave cha cha cha lessons to first-class passengers to earn extra money during ship ride to US.
Spoke English, Cantonese, Mandarin, and Japanese.
His development of Jeet Kune Do came partially out of an incident with his school. A rival martial artist challenged him to a duel over his decision to teach non-Chinese students. Lee accepted the challenge and won the duel but later thought that the fight took too long because his martial art technique was too rigid and formalistic. Thus he decided to develop a better system with an emphasis on practicality and flexibility.
Faced discrimination from other Chinese kung fu masters when trying to learn other martial arts styles. Would usually go to the number 3 or 4 man in a certain system to learn it in exchange for teaching what he knew.
According to Hong Kong stuntman Phillip Ko, Lee was challenged by a tiger/crane kung fu stylist, an extra on Enter the Dragon (1973), who claimed Lee was a phony. Lee, who was furious at the claim, accepted the challenge to prove that his martial arts were indeed the real deal. The fight, which took place on the film set, only lasted 30 seconds, with Bruce pummeling his challenger with a series of straight punches to the face, low-line kicks to his shins/knees/thighs and finally ended with the guy being smashed to the wall with his hair pulled and his arms trapped by Bruce. After Lee forced the kung fu stylist to submit, he showed some class by telling him to go back to work instead of firing him. This fight was witnessed by the film’s producer, Fred Weintraub, and Robert Wall.
Lee, upon claiming that he invented a new martial art, was pitted against a former karate champion in an attempt to prove his claims. Lee, unfazed, claimed that not only would he defeat the challenger, but he would do so within one minute. He did it in 58 seconds.
He was a huge soap opera fan and it was said that missing an episode of General Hospital (1963) could leave him upset for days.
To set eyes on Alfred Sole is to like him instantly.
He’s just welcomed me onto the Warner Brothers soundstage in Los Angeles where he works. At 75, Alfred is technically of retirement age, but he remains an in-demand production designer on popular television shows like MacGyver, Veronica Mars and Castle.
As I approach him, Alfred smiles broadly and extends his hand. He has a boyish face and a soft-spoken, warm manner. He’s of average height with salt-and-pepper hair. He’s like your friendly uncle, or your favorite person to sit next to at the neighborhood bar.
But looks can be deceiving, so I have to ask myself: Is this really the man who in the early 1970s was at the center of a national scandal about a pornographic film titled Deep Sleep?
Stars from around the world of music, film and beyond have paid tribute to Oscar-nominated director John Singleton, who has died aged 51.
Singleton, best known for 1991’s ‘Boyz N The Hood’ “passed away peacefully” after being removed from life support in Los Angeles, his family confirmed.
The filmmaker had been in intensive care following a stroke last week.
It might seem odd to claim that one of the most universally popular entertainers in the world is underrated. But Charlie Chaplin is. Not necessarily as a comedian, actor or director, but as a composer. Most people know the themes Smile, Eternally, and This Is My Song, but they probably don’t know that Chaplin wrote them – for Modern Times, Limelight and A Countess from Hong Kong, respectively. Film buffs might know that from 1931’s City Lights onwards, he composed the scores for all of his films, and that as an old man he wrote new music for his earlier films. Yet he is never mentioned in talk of the great film composers, and in a recent Radio Times poll of top film themes, Chaplin’s name was nowhere to be seen.