Today isn’t just a day to nurse your hangover from New Year’s Eve—it’s also a day to celebrate the public domain. Movies, books, music, and more from 1924 are all entering the public domain today, meaning that you’re free to download, upload, and share these titles however you see fit. And it’s completely legal.
Something about this doesn’t seem fair. The film was disqualified because it’s mostly in English. Meanwhile, the official language of Nigeria is….English.
In a protest against censorship, photographer A.L. Schafer staged this iconic photograph in 1934, violating as many rules as possible in one shot
With summer coming to a close, we can finally say goodbye to what was arguably the most horrendous movie season in the history of summer movie seasons. Good riddance.
Profits dipped and quality plunged. Ticket sales in the United States and Canada are projected to total $4.33 billion, a 2% decline from last year, according to the media analytics firm ComScore. But the fine print is what’s important. Disney monopolized the summer to a vast degree, meaning a disconcerting amount of that revenue belongs to one studio alone. Even sequels that seemed like surefire hits for rival companies — Warner Bros.’ “Godzilla: King of the Monsters” and Sony’s “The Angry Birds Movie 2,” for example — fell short of expectations.
Forty years since its first release, the director has been reworking his masterpiece for a definitive edition. How does he view his film – and the madness of its making – after all these years?
Behind the veil of billion-dollar movie franchises and rotating comics series, creators often struggle with low pay, no labor protections, and harassment. And no one seems to care.
India’s oldest music label is bringing hope to its indie filmmakers.
Set up in 1901, Saregama India has been in the business of music for over a century. But it was only three years ago that it turned its ear to the $2-billion behemoth film industry. It set up the brand Yoodlee Films, headed by Siddharth Anand Kumar.
Coming not so shortly: a new helping of either Star Wars or Avatar for every Christmas between 2021 and 2027. Disney’s latest release schedule also promises eight more Marvel comic-book adaptations by 2022. Meanwhile, this year will see the spawn of not just behemoths such as Avengers, X-Men, Frozen, Toy Story, Spider-Man, The Lego Movie and Star Wars, but also less obvious franchise-launchers such as Godzilla, Men in Black, Shaun the Sheep, Angry Birds, Kingsman, Zombieland, Shaft and even Rambo. Never before have film sequels been so many and so varied.
The day before we met, László Nemes went to see a superhero movie. He didn’t last long. “I found it unwatchable and false, boring and self-referential, a world of ideal people who don’t behave as humans but more like machines.”
He smiles. It’s tea-time in the Islington, north London branch of Caffè Nero and Nemes gently explains that such films infantilise viewers in two ways. The plots let them defer responsibility for the fate of the world to demigods; the way they are shot – lots of signposting, everything carefully controlled – offers a false sense of omniscience.