Our national broadcaster has been defeated by Brexit; confounded either by the explosion of a rightwing populist politics it doesn’t know how to cover, or by growing millennial intolerance of views they abhor being given a platform, or possibly by both. An explosion of fake news, the BBC’s own neurosis about whether it’s too middle-class for its own good, and the vocal indignation of Labour activists who feel the media is institutionally biased against Jeremy Corbyn have all combined to create a perfectly bewildering storm for a once-loved institution.
“EMI was going to finance the film, but got cold feet. It was a mortal blow, because we were already in pre-production. So Eric went to Hollywood and pitched it to George Harrison, who had been a huge Python fan since the first TV programme. He pawned his house and arranged a loan of $5m. When he was asked why, he just said: “Because I want to see it.” Not many people pay $5m for an admission ticket.“
Most Indian families still prefer marriages arranged within their religion and caste. Marriages outside these rigid boundaries have often led to violent consequences, including “honour” killings. But some young Indians are still willing to defy their families and communities for love, reports the BBC’s Divya Arya.
You’d think it’d be a hard time to be a Michael Jackson impersonator – yet business is booming for some acts mimicking problematic stars. Jack Needham finds out more
“I don’t give a damn what Mueller didn’t find—it don’t take almost two years to figure out that Trump ain’t nothing but a crime boss.”
…among the news junkies in the federal Bureau of Prisons, Robert Mueller’s finding last month that there was no prosecutable evidence of a conspiracy between Donald Trump and those close to him and the Russians who interfered in the 2016 election landed hard. Not only did it quickly serve to reinforce the longstanding perception among prisoners—mirroring views held by some in the general public—that the game was rigged against those of lesser means, it shattered inmates’ hopes that a clownish villain who preyed on America’s fears of crime might finally get his.