From the feature-length documentary Miles Davis: Birth of the Cool that’s debuting on PBS’s American Masters next week, this is a short clip about how Miles’ masterpiece, Kind of Blue, came together in the studio.
With Harry James (1st trumpet) and Gene Krupa (drums)
Carl Van Vechten
Billie Holiday and Ella Fitzgerald
by Ed Thrasher
John Coltrane, one of jazz history’s most revered saxophonists, released ‘Giant Steps‘ in 1959. It’s known across the jazz world as one of the most challenging compositions to improvise over for two reasons – it’s fast and it’s in three keys. Braxton Cook and Adam Neely give me a crash course in music theory to help me understand this notoriously difficult song, and I’m bringing you along for the ride. Even if you don’t understand a lick of music theory, you’ll likely walk away with an appreciation for this musical puzzle.
During World War II, with thousands of men shipping off to war, half a dozen all-female, instrumental big bands toured around America. It was a rarity in a musical world dominated by men and, for the most part, their stories have been erased or minimized in jazz history.
Jazz Night in America host Christian McBride has spent years tracing the history of some of these bands and notes that during this flourishing time for all-women groups, the 17-piece International Sweethearts of Rhythm had the most formidable level of popularity.
Hal Blaine, one of the most prolific and influential drummers of his generation, has died at the age of 90.
Over the course of his career, he played on countless hits by Frank Sinatra, Elvis Presley, the Beach Boys and John Lennon, amongst others.
But his most recognisable riff was the “boom-ba-boom-crack” bar that opened The Ronnettes’ Be My Baby.
On hearing of his death, the Beach Boys’ Brian Wilson called him “the greatest drummer ever”.