Shattered Glass: why we need to stop deconstructing our superheroes

This weekend sees the release of M Night Shyamalan’s Glass, the long-awaited follow-up to his 2000 superhero drama Unbreakable and his 2017 thriller Split. Like Unbreakable, Glass is interested in deconstructing the figure of the comic book superhero (and supervillain), calling attention to the tropes of its own genre while placing them in a larger historical and pseudo-scientific context. But whereas this meta-narrative examination felt fresh and exciting in Unbreakable, it now proves to be an utter bore.